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  • The exterior of a deli in the Hell's Kitchen neighborhood of Manhattan in New York City.  The early evening sun is skimming the white textured wall and creating shadows from a nearby fence onto an exhaust fan and notices people have posted to the wall.
    RLE_100702_012.jpg
  • A black and white photograph of Aristede Maillol's "The River" in the Sculpture Garden at the Museum of Modern Art in New York City.
    RLE_081230_018v1.jpg
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_117.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_113.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_097.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_089.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_085.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_136.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_114.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_148.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_147.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_140.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_128.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_122.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_111.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_109.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_104.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_103.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_100.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_098.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_094.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_092.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_088.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_082.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_076.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_146.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_143.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_077.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_074.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_068.tif
  • Morning sunlight skims across the red stucco exterior wall of a building in the Hell's Kitchen neighborhood of Manhattan, New York City.
    RLE_091103_048v1.jpg
  • The view from underneath  a glass platform of the Apple Store on 59th Street and 5th Avenue in Manhattan, New York City.   The bottoms of people's shoes are seen as they are standing on the platform.
    RLE_091006_061v1.jpg
  • A wooden statuette of the Madonna and Child stands among dead leaves in an abandoned lot in the Hell's Kitchen neighborhood of Manhattan, New York City.
    RLE_091101_018v1s.jpg
  • People milling about on the street are reflected in a storefront window as the large face of a model looks out from the store's display.  Located in the Greenwich Village neighborhood of Manhattan, New York City
    RLE_090919_010v1.jpg
  • A view inside the Guggenheim Museum in Manhattan through a round exterior window.  The round window is echoed by another window on a bright inside red wall.  The iconic white paint of the museum's exterior has been stripped during restoration in 2007.
    RLE_071211_8275v1s.jpg
  • A man wearing sandals is seen from the knees down standing on big white letters on the street in Greenwich Village, Manhattan.
    RLE_090919_014v1.jpg
  • EP_150614_241-HDR.jpg
  • EP_160627-1_097-HDR_2-2.jpg
  • EP_180503-2_021-HDR-Edit.jpg
  • A series of shadows are cast on the old stoop of an apartment building in the Murray Hill neighborhood of Manhattan.  The shadows are coming from several directions as the midday sunlight bounces off of the nearby tall glass buildings.
    RLE_080221_9183v1s.jpg
  • EP_150614_351.jpg
  • EP_200124-1_030.jpg
  • EP_170330_622-HDR_v1.jpg
  • EP_160627-1_199-HDR.jpg
  • EP_180202-1_218-HDR.jpg
  • EP_180202-1_124-HDR.jpg
  • EP_200124-2_120_v1.jpg
  • EP_200124-2_116_v1.jpg
  • A pine tree in Flushing Meadows Corona Park is lit by the first warm rays of morning sunlight.
    RLE_120107_062_v1.tif
  • A man emerging from the green door of a white brick wall on 58th Street.  He is standing on the wet pavement holding the nozzle of a hose spraying water.
    RLE_100707_147v1s.jpg
  • A chain link fence with barbed wire is in front of a white stucco wall with graffiti along Houston Street in Manhattan, New York City.
    RLE_0607006_035v1.jpg
  • Sunglasses rest on red velveteen fabric from a street vendor in the Greenwich Village neighborhood of New York City.
    RLE_090919_006v1.jpg
  • The tools and red hose that are being used to load fuel oil into a building on 57th St. in Manhattan, New York City lay on the sidewalk.
    RLE_090331_006v1sc.jpg
  • A blue tarp is covered in snow during a snow storm.  The tarp is covering a chain-link fence at a construction site in Midtown Manhattan.
    RLE_090203_041v1s.jpg
  • EP_150614_260-HDR.jpg
  • EP_150614_028-HDR.jpg
  • EP_200124-1_186.jpg
  • EP_200124-1_158.jpg
  • EP_200124-1_069.jpg
  • EP_200124-1_044.jpg
  • EP_170330_676-HDR_v1.jpg
  • EP_170330_613-HDR.jpg
  • EP_160328_335-HDR_v1.jpg
  • EP_160328_262-HDR.jpg
  • EP_160328_169-HDR.jpg
  • EP_160328_108-HDR.jpg
  • EP_160328_078-HDR.jpg
  • EP_160122_212-HDR.jpg
  • EP_160225_261-HDR.jpg
  • EP_160225_255-HDR.jpg
  • EP_160627-1_145-HDR_v1-2.jpg
  • EP_160627-1_253-HDR.jpg
  • EP_180202-1_239-HDR.jpg
  • EP_180202-1_148-HDR.jpg
  • EP_180202-1_121-HDR.jpg
  • EP_180202-1_072-HDR.jpg
  • EP_180202-1_066-HDR.jpg
  • EP_180202-1_018-HDR.jpg
  • EP_190917_209-2_v1.jpg
  • EP_180405_120-HDR.jpg
  • EP_160917_016-HDR.jpg
  • EP_160917_007-HDR.jpg
  • EP_200124-2_080.jpg
  • EP_200124-2_042.jpg
  • EP_200124-2_015.jpg
  • EP_200124-2_003.jpg
  • EP_130928_112_v1.tif
  • EP_130928_022_v1.tif
  • EP_130810_258.tif
  • Man photographed through a window hunched over his beer in contemplation.
    EP_150421_029.tif
  • RLE_140810_078.tif
  • Sunlight hits a window curtain as seen from inside a motel room.
    RLE_121004_311v2.tif
  • Image tiles cut from several photographs and pieced together to make a mosaic.
    RLE_120107_Mosaic_v7.tif
  • A set of four round modern metal planters on a raised black platform after a rainstorm.  The planters are bare of any plants.  They are outside an apartment building in Manhattan, New York City.
    RLE_110424_005.tif
  • Two men seen from behind each sitting on a white bucket on the curb of a street in Manhattan, New York City.  Trails of liquid appear on the black surface of the street.
    RLE_100727_008.jpg
  • Remnants of garbage left on the sidewalk next to a fire hydrant.  Egg yolk has partially cooked from the heat of summer and is left drying on the pavement.
    RLE_100717_009.jpg
  • A pigeon flying  the sky in Brooklyn with telephone wires, the corner of a building and the top of a red police call box.
    RLE_0605002_048v1.jpg
  • Shafts of light and shadows are being cast on the brushed metal walls and marble floors of the entrance to the Columbus Circle 59th Street subway station at Time Warner Center.
    RLE_100307_090v1.jpg
  • A shaft of light illuminating the sidewalk and front gate of an old building with graffiti in the Greenwich Village neighborhood of Manhattan, New York City.
    RLE_091129_038v1.jpg
  • Smoke is rising from the cart of a street vendor selling Chinese food in Flushing, Queens in New York City.
    RLE_091126_004v1.jpg
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Englebright Photography

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