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  • Diptych showing a table with platters of summer foods set out on a dimpled glass table.  A close up of a cup emptied of its cold carrot soup resting on the table.
    RLE_080718_Diptych_v1.tif
  • Two images side by side with a black border.  Two shots of the same pair of sunglasses.  The shot on the right is of the side of the sunglasses with the logo.  The shot on the left is of the front right lens of the sunglasses.  Reflecting in the lens is the camera and the eye behind the lens.
    RLE_110530_038044_Diptych.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_113.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_097.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_089.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_117.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_136.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_114.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_085.tif
  • RLE_140810_078.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_148.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_147.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_140.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_122.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_111.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_109.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_103.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_100.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_098.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_094.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_092.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_088.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_082.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_076.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_146.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_143.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_128.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_104.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_077.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_074.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_068.tif
  • A man emerging from the green door of a white brick wall on 58th Street.  He is standing on the wet pavement holding the nozzle of a hose spraying water.
    RLE_100707_147v1s.jpg
  • A view of one of the many boardwalks on Fire Island.
    RLE_100624_109.jpg
  • Two men seen from behind each sitting on a white bucket on the curb of a street in Manhattan, New York City.  Trails of liquid appear on the black surface of the street.
    RLE_100727_008.jpg
  • Two old chairs have been put at a bus stop in Hell's Kitchen along 9th Avenue in Manhattan, New York City.
    RLE_100619_002v1s.jpg
  • The exterior of a deli in the Hell's Kitchen neighborhood of Manhattan in New York City.  The early evening sun is skimming the white textured wall and creating shadows from a nearby fence onto an exhaust fan and notices people have posted to the wall.
    RLE_100702_012.jpg
  • A pigeon walks into the shadow of a tractor trailer stopped at a red light on 9th Avenue in Manhattan, New York City.
    RLE_100828_002v1.jpg
  • Large white round buckets holding down shades on the outside of a corner delicatessen to protect flowers and fruit from the midday sun.
    RLE_100814_005_v1 (100 of 1).tif
  • A view of one of the many boardwalks on Fire Island.
    RLE_100624_171.jpg
  • Remnants of garbage left on the sidewalk next to a fire hydrant.  Egg yolk has partially cooked from the heat of summer and is left drying on the pavement.
    RLE_100717_009.jpg
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Englebright Photography

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