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  • Steps leading to the subway platform.  Red arrows on the floor tile indicate the direction of pedestrian traffic.
    RLE_091108_020v1s.jpg
  • EP_160917_016-HDR.jpg
  • EP_160917_007-HDR.jpg
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_113.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_097.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_089.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_136.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_117.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_114.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_088.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_085.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_140.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_122.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_111.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_100.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_098.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_094.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_082.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_076.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_148.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_147.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_146.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_143.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_128.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_109.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_104.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_103.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_092.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_077.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_074.tif
  • A large-scale public project by Kara Walker in Brooklyn’s Domino Sugar Factory. Walker’s physically and conceptually expansive installation responds to the building and its history.  It is an homage to the unpaid and overworked labor that refined our sweet tastes from the cane fields to the kitchens of the New World.
    RLE_140628_068.tif
  • The tools and red hose that are being used to load fuel oil into a building on 57th St. in Manhattan, New York City lay on the sidewalk.
    RLE_090331_006v1sc.jpg
  • A set of four round modern metal planters on a raised black platform after a rainstorm.  The planters are bare of any plants.  They are outside an apartment building in Manhattan, New York City.
    RLE_110424_005.tif
  • The large biceps of a man is seen in a poster on the white and color tile wall of a New York City subway platform.
    RLE_091001_004v1.jpg
  • The exterior of a deli in the Hell's Kitchen neighborhood of Manhattan in New York City.  The early evening sun is skimming the white textured wall and creating shadows from a nearby fence onto an exhaust fan and notices people have posted to the wall.
    RLE_100702_012.jpg
  • A chain link fence with barbed wire is in front of a white stucco wall with graffiti along Houston Street in Manhattan, New York City.
    RLE_0607006_035v1.jpg
  • Sunglasses rest on red velveteen fabric from a street vendor in the Greenwich Village neighborhood of New York City.
    RLE_090919_006v1.jpg
  • Mortars and pestles and old bottles are being displayed in a pharmacy display window on 10th Avenue in Manhattan, New York City
    RLE_090331_023v1sc.jpg
  • Smoke is rising from the cart of a street vendor selling Chinese food in Flushing, Queens in New York City.
    RLE_091126_004v1.jpg
  • A graphic composition of yellow paper and black tape.  They are covering the windows of shops being built in an underground concourse of the large Columbus Circle 59th Street Subway Station in Manhattan, New York City.
    RLE_091115_060v1.jpg
  • The long shafts of light are being created from the early morning sun through a curtain of water shot out of a large lawn sprinkler in Central Park, New York City.
    RLE_100531_019v1s.jpg
  • The shadow of a tree is being cast on the large pavement stones of a sidewalk on 57th Street and 8th Avenue in Manhattan, New York City.
    RLE_100403_232_v1.jpg
  • The shadow of a bike locked to a pipe is being cast on a sidewalk from the early morning sun near Lincoln Center in Manhattan, New York City.
    RLE_100319_289v1.jpg
  • Shadows of me and the the columns from the entrance to the Heckscher Playground in Central Park in Manhattan, New York City.
    RLE_100318_028v1.jpg
  • Reflection of a fence mostly submerged in water.  A barrier and a wire fence is in the foreground, creating an abstract composition in blue.  At The Lake, Central Park, New York City.
    RLE_100307_008v1.jpg
  • Benches, shadows, leaves, and a fence create a graphic composition along a concrete path in Central Park, New York City.
    RLE_100306_050v1.jpg
  • Used shoes and clothing are being sold in front of a Church on 57th St. in Manhattan, New York City.
    RLE_091215_014v1s.jpg
  • A shaft of light illuminating the sidewalk and front gate of an old building with graffiti in the Greenwich Village neighborhood of Manhattan, New York City.
    RLE_091129_038v1.jpg
  • Morning sunlight skims across the red stucco exterior wall of a building in the Hell's Kitchen neighborhood of Manhattan, New York City.
    RLE_091103_048v1.jpg
  • The view from underneath  a glass platform of the Apple Store on 59th Street and 5th Avenue in Manhattan, New York City.   The bottoms of people's shoes are seen as they are standing on the platform.
    RLE_091006_061v1.jpg
  • The large hand from the marquee of Madame Tussauds is seen from the rooftop of a building on 42nd Street in Manhattan, New York City.
    RLE_090827_056v1.jpg
  • A wooden statuette of the Madonna and Child stands among dead leaves in an abandoned lot in the Hell's Kitchen neighborhood of Manhattan, New York City.
    RLE_091101_018v1s.jpg
  • Chairs set up for a performance outside of the Metropolitan Opera at Lincoln Center in Manhattan, New York City.  The perspective is from the back of the chairs.  With the soft light falling on the chairs and the rows of chairs tightly grouped there is a very abstract composition of repetition and pattern.
    RLE_100828_014v1.jpg
  • Two men seen from behind each sitting on a white bucket on the curb of a street in Manhattan, New York City.  Trails of liquid appear on the black surface of the street.
    RLE_100727_008.jpg
  • A cart and large bags filled with cans waiting to be recycled are on the red brick sidewalk on Central Park West in Manhattan, New York City
    RLE_090808_003v1s.jpg
  • The figures of a woman and her dog on a leash are silhouetted against the light from the end of a tunnel in Central Park in Manhattan, New York City as they are walking along a path.
    RLE_090327_108v1.jpg
  • A black and white photograph of Aristede Maillol's "The River" in the Sculpture Garden at the Museum of Modern Art in New York City.
    RLE_081230_018v1.jpg
  • Shadows of a park bench on the pavement being cast from the early morning sun in Central Park, New York City.
    RLE_100306_022v1.jpg
  • People milling about on the street are reflected in a storefront window as the large face of a model looks out from the store's display.  Located in the Greenwich Village neighborhood of Manhattan, New York City
    RLE_090919_010v1.jpg
  • RLE_130716_024.tif
  • RLE_140810_078.tif
  • A red Chinese character, or hanzi, above a farmers market in Flushing, Queens in a sky of white fluffy altocumulus clouds.
    RLE_120909_004v2.tif
  • A pine tree in Flushing Meadows Corona Park is lit by the first warm rays of morning sunlight.
    RLE_120107_062_v1.tif
  • Image tiles cut from several photographs and pieced together to make a mosaic.
    RLE_120107_Mosaic_v7.tif
  • Clouds are reflected in the water of a pond in Flushing Meadows Corona Park.  A slight breeze gives the water a subtle rippled effect throughout the frame of the picture.
    RLE_111222_008v1.tif
  • A man is walking into the top frame of the image.  The early morning sunlight causes  sharply angled shadows.
    RLE_110821_025_v1.tif
  • A tree is silhouetted against a dawn sky.  Cirrus clouds are tinted a pale magenta by the light of the rising sun.
    RLE_120107_048_v1.tif
  • Woman peers out from a window at an outside food booth surrounded by steam.  Photographed on Main St. in Flushing, Queens.
    RLE_010121_025v1.tif
  • Two images side by side with a black border.  Two shots of the same pair of sunglasses.  The shot on the right is of the side of the sunglasses with the logo.  The shot on the left is of the front right lens of the sunglasses.  Reflecting in the lens is the camera and the eye behind the lens.
    RLE_110530_038044_Diptych.tif
  • Large white round buckets holding down shades on the outside of a corner delicatessen to protect flowers and fruit from the midday sun.
    RLE_100814_005_v1 (100 of 1).tif
  • Remnants of garbage left on the sidewalk next to a fire hydrant.  Egg yolk has partially cooked from the heat of summer and is left drying on the pavement.
    RLE_100717_009.jpg
  • A view inside the Guggenheim Museum in Manhattan through a round exterior window.  The round window is echoed by another window on a bright inside red wall.  The iconic white paint of the museum's exterior has been stripped during restoration in 2007.
    RLE_071211_8275v1s.jpg
  • EP_130810_106.tif
  • EP_130810_262.tif
  • EP_130810_258.tif
  • Macro photograph of raindrops clingiong to leaves in Central Park.
    RLE_110424_149.jpg
  • EP_130810_032.tif
  • EP_130810_256.tif
  • EP_130810_067.tif
  • Shafts of light and shadows are being cast on the brushed metal walls and marble floors of the entrance to the Columbus Circle 59th Street subway station at Time Warner Center.
    RLE_100307_090v1.jpg
  • Shadow of a man in silhouette as he is smoking a cigarette.  Strong horizontal and vertical composition of sunlight and shadows.  Shot through a plate glass window into an empty storefront.
    RLE_091129_028v1.jpg
  • A partially wet street corner and a white line on the asphalt form an abstract composition void of most color.
    RLE_091115_012v1.jpg
  • The red entrance to a restaurant in the East Village of Manhattan is covered with graffiti.
    RLE_061008_007v1s.jpg
  • The window of a door is shaped like a cross.  It is behind a security gate of a small storefront church in the East Village.
    RLE_060918_039v1s.jpg
  • My shadow cast on stairs leading down to the subway station bisected by the stair rail.
    RLE_100221_007v1s.jpg
  • My shadow is being cast on the floor as I photograph the inside of an abandoned storefront interior.  Shadows and strong shafts of light.
    RLE_100208_076v1.jpg
  • The large banner for MoMA hanging vertically outside the museum is reflected in the mirrored windows.
    RLE_100113_005v1.jpg
  • A bent and rusting fire escape ladder hanging next to a partially wet marble tile wall that mimics the repetitive square patterns of the ladder.
    RLE_091209_014_v1.jpg
  • A man wearing sandals is seen from the knees down standing on big white letters on the street in Greenwich Village, Manhattan.
    RLE_090919_014v1.jpg
  • A street vendor has scattered silver bracelets with the peace sign on pink velveteen fabric.
    RLE_090919_013v1.jpg
  • A cement truck parking in front of the AT&T building on 10th Avenue in Manhattan.  The black and white brick of the facade creates a strong vertical composition.
    RLE_090318_003v1.jpg
  • Looking up at steam coming from a pipe near the twin towers of the Time Warner Center at Columbus Circle in Manhattan
    RLE_090214_051v1.jpg
  • Shadows skim across a blue plywood wall and a red and white striped barrier to create a graphic composition.  It was at a construction site in the East Village of Manhattan.
    RLE_061104_006v2.jpg
  • The painted, shuttered storefront of a restaurant on the Lower East Side of Manhattan.
    RLE_060921_055.jpg
  • A black van parked on the street in the East Village is covered in graffiti.
    RLE_060921_015v1s.jpg
  • A yellow VW wagon parked in front of a store in the East Village is covered in graffiti.
    RLE_060918_034v1s.jpg
  • A series of shadows are cast on the old stoop of an apartment building in the Murray Hill neighborhood of Manhattan.  The shadows are coming from several directions as the midday sunlight bounces off of the nearby tall glass buildings.
    RLE_080221_9183v1s.jpg
  • EP_150614_351.jpg
  • EP_150614_241-HDR.jpg
  • EP_160627-1_097-HDR_2-2.jpg
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Englebright Photography

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